This research was conducted by Ole Adrian Heggli, Jan Stupacher and Peter Vuust at Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Denmark
Human life is governed by diurnal cycles – the never-ending sequence of day/night, light/dark, wake/sleep. This research analysed the way in which people consumed music …
This research was conducted by Ole Marius Hylland at Telemark Research Institute, Norway
This paper charts the way that the cultural sector in Norway took a ‘digital turn’ during the first 100 days of the 2020 COVID-19 lockdown in Norway. The research was a rapid response to the crisis – …
This research was conducted by Indigo Holcombe-James at RMIT University, Australia
This paper sets out how a digital exclusion framework of ‘access, abilities, and affordability’ can be used to understand the needs and deficiencies of cultural institutions. The main areas of digital difficulty for organisations were access to devices like …
This research was conducted by Ben Walmsley at the University of Leeds, UK
The paper describes a project that used a bespoke online platform to allow the public to commission, interact with and reflect upon two dance performances at Yorkshire Dance in Leeds, a city in northern England. The research …
This research was conducted by Timothy King
This paper presents a critique of the role of streaming theatre and opera from stage to screen, using data from a range of surveys, critics’ views, reports and case studies. It finds that streaming gives more people a way to experience theatre and …
This research was conducted by Jordi Lopez-Sintas and three others at the Universitat Autònoma de Barcelona and Universitat de Girona, Spain.
This paper sought to understand the ways that people access and acquire music, how their tastes are shaped and how they subsequently share music. The research was particularly …
This research was conducted by Ross Parry at the University of Leicester, UK
The use of digital technology in museums is no longer something special or revolutionary. This paper focuses on what that means for museums' strategies and structures. It finds that the digital turn has not simply meant the …
This research was conducted by Terry O'Sullivan at the Open University, UK
This paper reports the findings of eight in-depth telephone interviews designed to discover the various ways that people use web forums to discuss orchestral music. The research found that people behave in a variety of different ways online …
This research was conducted by Hasan Bakhshi and David Throsby at the National Endowment for Science, Technology and the Arts, UK and Macquarie University, Australia
This paper tackled the question of whether digital broadcasts of live events lead to an increase or reduction in the number of attendees at those …
This research was conducted by Hasan Bakhshi and David Throsby at the National Endowment for Science, Technology and the Arts, UK and Macquarie University, Australia
This paper sets out a conceptual framework for understanding how new technologies are changing the way in which cultural organisations work. The research used this …